Follow the trials and tribulations of two down-on-their-luck college guys who join an anime club dominated by crazed yaoi fangirls! (Archived forum section.)
So Shiei how did you get drawing without the necessity of using any guide line? It looks like from the pictures you draw all the details right on the spot, could you give out any tips on how to accomplish this?
Neoridgeback wrote:So Shiei how did you get drawing without the necessity of using any guide line? It looks like from the pictures you draw all the details right on the spot, could you give out any tips on how to accomplish this?
oh i usually rough sketch everything very very lightly.. then i start cleaning up the rough sketch and drawing solid lines ( with pencil) i also put the details while drawing over the rough sketch . The cleaner the drawing the easier it is to ink, (less confusing on which line to follow ^_^) I rarely put details without sketching it with pencil first , except if its pretty easy to draw like hearts , sweatdrop or sea monkeys....>>
Neoridgeback wrote:So Shiei how did you get drawing without the necessity of using any guide line? It looks like from the pictures you draw all the details right on the spot, could you give out any tips on how to accomplish this?
oh i usually rough sketch everything very very lightly.. then i start cleaning up the rough sketch and drawing solid lines ( with pencil) i also put the details while drawing over the rough sketch . The cleaner the drawing the easier it is to ink, (less confusing on which line to follow ^_^) I rarely put details without sketching it with pencil first , except if its pretty easy to draw like hearts , sweatdrop or sea monkeys....>>
Wow cool thanks for the advice and my last real question would be how do you decide on the panel boxs best suited for each individual situation of your drawings on the page?
Neoridgeback wrote: Wow cool thanks for the advice and my last real question would be how do you decide on the panel boxs best suited for each individual situation of your drawings on the page?
I base the number of panels on the script . i try my best to make the pages flow fluidly. I dont put too much panels on each page so it wouldnt be too busy to look at . ^_^ eheh ...:3
Aoi House's page count tends to actually stay pretty much dead on to what I guess it to be as I'm writing the script. If I write 20 pages of script, then it tends to top out at 30 pages of drawn manga. If I happen to write a 12-page script, then it can end up being 20 pages. I think I also wrote a 5-page script and that turned out to be 10-pages.
When I first started, I guessed that the ratio would be 1 page of script would equal about 2 pages of drawn manga for Aoi House. It depends on the nature of the scene (i.e. if it is more dialogue heavy or more action oriented), but that reasoning tends to stay somewhat consistant here.
It has a lot to do with the nature of the story itself, though. Aoi House is a comedy series, so any action sequences tend to stay pretty self-contained within a page or two as the main draw of the book is the character interaction and fan service.
DTSX wrote:Okay, so this doesn't belong here, but it is a continuation of what you said. Do you just think up of these situations and write them down, or do you actually have the whole series plotted out?
It's a mix of them both. I start by trying to fill in a 7-chapter chart with the basic theme for those chapters. From there, I break those chapters down into their story beats. From there, I'll just start organizing whatever ideas and jokes I've gotten over the past few months/years for a given chapter so I can refer back to them as I actually write the chapter. The story does evolve and change as I write it and a lot gets cut out, but it is a given that you have to know where the series is going to end up at some point.